How does Fitzgerald tell the story in Chapter 5 of “Great Gatsby” Essay Essay Example

How does Fitzgerald tell the story in Chapter 5 of â€Å"Great Gatsby†? Essay Paper During chapter 5 Gatsby is reunited with Daisy and it becomes clear to the reader that Gatsby’s emotional frame is out of sync with the transition of clip as the novel explores the coming of love of the yesteryear into the present. The chapter starts with the return of Nick from his day of the month with Jordan whose relationship seems really impersonal and surface deep compared and contrasted to the passionate and carry throughing relationship of that of Gatsby and Daisy that is addressed and unpicked during chapter 5. Nick describes Jordan to hold a ‘disembodied face’ and a ‘wan. scornful mouth’ which give her a shade like quality proposing a transparent and empty affair. Nick returns place to happen Gatsby’s house all lit up ‘from tower to cellar’ and believes Gatsby is holding another excessive party. Nick walks over to look into and on his manner is startled by Gatsby. Nick invites Gatsby to hold tea with himself and Daisy the ‘day after tomorrow’ . at this Gatsby becomes really alarmed and nervous about run intoing Daisy. This brings to light Gatsby’s feelings towards Daisy and the topic becomes a sensitive one ; this foreshadows their romantic connexion subsequently on in the chapter. When Gatsby foremost meets Daisy he is have oning a ‘silver shirt and gold coloured tie’ the colors Ag and gold are closely related to wealth and this illustrates how eager he is to demo Daisy how affluent he is now. We will write a custom essay sample on How does Fitzgerald tell the story in Chapter 5 of â€Å"Great Gatsby†? Essay specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on How does Fitzgerald tell the story in Chapter 5 of â€Å"Great Gatsby†? Essay specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on How does Fitzgerald tell the story in Chapter 5 of â€Å"Great Gatsby†? Essay specifically for you FOR ONLY $16.38 $13.9/page Hire Writer However the coloring material gold could be used by Fitzgerald to demo that Gatsby is corrupt. because the coloring material yellow symbolises corruptness. Fitzgerald uses hapless false belief as rain appears when Gatsby and Daisy meet for the first clip which ominously foreshadows their relationship and Gatsby’s destiny. When Daisy eventually meets Gatsby. Fitzgerald creates an awkward tenseness between the two. Fitzgerald uses silences such as ‘for half a minute at that place wasn’t a sound’ and ‘a pause’ which was ‘endured horribly’ to make a hard and detached atmosphere. Conversation between Daisy and Gatsby does non flux easy and is filled with ‘chocking murmurs’ . ‘abortive effort at a laughs’ and snippings of little talk. Gatsby so about knocks over a ‘defunct mantle piece clock’ in his agitated and jittery manor – ‘†¦the clock took this minute to lean dangerously†¦whereupon he turned and caught it with trembling fingers and set it back in place’ . This represents Gatsby’s vain and gawky effort to halt the transition of clip in order to recover the yesteryear. As the clock is a defunct’ one it does non work and has stopped at one minute in clip ; merely as Gatsby’s life has stopped. The fact that the clock is ‘defunct’ suggests that Gatsby is stuck in the yesteryear. and is deluded because he believes that his and Daisy’s relationship will be a successful 1. Fitzgerald uses merely two scenes for chapter five in order to pull a line between the alteration of scene and the relationship between Gatsby and Daisy. At the start of the chapter. Nick. Daisy and Gatsby are gathered in Nick’s house ; the relationship between Daisy and Gatsby seems slightly awkward and both characters seem highly nervous to be reunited once more: ‘I heard a kind of choking mutter and portion of a laugh’ . This quotation mark proves the state of affairs was so nerve single-footing to Gatsby that he had to laugh to do the ambiance experience less intense. However. when Gatsby invites Nick and Daisy over to his house his relationship with Daisy has improved and became far more relaxed. even to the point of holding a friend play the piano to affect Daisy and to maintain developing their relationship. Fitzgerald tells the narrative in chapter five through the portraiture of society and its mercenary mentality in the 1920’s. Gatsby feels more at easiness in his ain place because he is surrounded by luxuries that impress Daisy. ‘shirts with chevrons and coils and tartan in coral and apple v iridity and lavender and swoon orange with monograms of Indian blue’ . The repeat of ‘and’ implies that Gatsby has a great trade of shirts. Fitzgerald is utilizing the technique of vowel rhyme to drag out the sentence doing it experience like the list is traveling on and on hence making an visual aspect of Gatsby holding a colossal sum of ownerships. It besides indicates that for Gatsby to acquire Daisy back. he needs to ‘woo’ her utilizing his wealth ; the usage of these alien colors implies that he has been to many topographic points reflecting his experiences. Furthermore. he is seeking to expose his wealth through his sum of mulct. expensive shirts to demo Daisy he has wholly transformed from the adult male he was before and can offer her all that Tom can. Fitzgerald is proposing that now Gatsby is really affluent. Gatsby believes that he and Daisy are equal – relating to the subject of old and new money. The sight of all these excessive shirts brings cryings to Daisy’s eyes because she realises that this is the life she missed out on. the life she could hold had with Gatsby. However it could be argued that she begins to shout because money is all that is of import to her. Therefore the shirt scene is important in how it portrays Daisy’s shallow character and howshe loves a adult male for his wealth. Daisy is more representative of people during the effete universe of the Jazz Age. Fitzgerald concludes the chapter is with Nick being the one alone. which is a alteration of state of affairs as it is normally Gatsby isolated from company. Nick seems about covetous of the relationship Gatsby and Daisy have. This is shown by the long sentence length used by Nick depicting Gatsby and Daisy in the concluding phases of the chapter where they have fallen for each other. Nick utilizations long sentences such as ‘They had forgotten me but Daisy glanced up and held out her manus ; Gatsby didn’t cognize me now at all’ this shows Nicks green-eyed monster of their relationship and the sentence is broken down into three parts to demo how each character is experiencing. Nick feels forgotten. Daisy feels she needs person by keeping out her manus and Gatsby is shown to be frantically in love by non admiting Nick and fixating on Daisy. Chapter 5 is presented as the turning point within the novel when Gatsby and Daisy reunite and where the green visible radiation by the deck is non a dream any longer because Daisy is with Gatsby.

Censorship in music essays

Censorship in music essays In Eduard Hanslicks book On the Beautiful in Music, the chapter titled Music and Nature argues that music is not a part of nature, but rather a man made art form. Hanslick believes that all aspects of music are created in the human mind and are not a part of nature. Hanslick suggests that music has fundamental 'building blocks', which cannot be found in nature. He (Hanslick) believes that the sounds in nature are not musical they are just natural sounds. He goes on to say that mankind heard these sounds and attempted to duplicate them, which is how mankind got the first musical notes. To be music it must poses melody and harmony, which is tones, not just sounds. The two main 'building blocks', melody and harmony, cannot be found in nature; " Melody is not to be met with in nature, even in its most rudimentary form"(p105). Hanslick suggests that these 'building blocks' of music are created in the human mind rather than in some aspect of nature. Hanslick believed that the third 'building block', rhythm, even though it can be found in nature, is not the same type of rhythm that music possess. He feels that musical rhythm is dependant on harmony and melody, whereas natural rhythm just occurs and is dependant on nothing, " But the point in whi ch natural rhythm differs from human music is obvious: in music there is no independent rhythm; it occurs only in connection with melody and harmony expressed in rhythmical order" (p106). Hanslick felt that music was different from all other forms of art in the respect that music could not be associated with nature. He states that unlike art, music was unable to take anything from nature. An artist could perhaps look at something beautiful and paint it, whereas a musician must create something in his mind. Hanslick states (p112) " There is nothing beautiful in nature as far as music is concerned", meaning that there is no aspect of nature in which one could arrive at beautiful music. " ...

Femicide, the deliberate killing of females Speech or Presentation

Femicide, the deliberate killing of females - Speech or Presentation Example The researcher states that beside misogyny, there can be other motives for the killing of females which include pleasure, anger, revenge, malice, jealousy, arguments, separation, sexual assault, robbery, and the exuberant feeling of finally being dominant and triumphant over a female. In terms of the perpetrator, it could be any male such as the father, the husband, a boyfriend, a close friend, an acquaintance, a brother, a lover, or even a complete stranger. In almost all cases, there is a gender-related issue behind the killing and usually accompanied by a victim-perpetrator type of relationship and a prior history of either verbal, psychological, or physical violence. This is a gender-selective violence that often includes the rape, torture, and mutilation of victims. Femicide can be viewed within the larger context of the gender wars as manifestation of a stringent form of anti-feminism, designed to terrorize women into submission. It is also a part of the larger cultural context where women are expected to be pure, submissive, always ready to obey the wishes of the men, and especially in the Chicano culture, to adhere to three Marias concept and avoid being labeled into the third Maria category. What is happening at the Ciudad Juarez in Mexico is a very visible form of this bias against the female gender. As stated earlier in the previous page, there are many motivations in femicide. In the global context where religious and social norms can take a jaundiced view of female killings such as honor killings in many under-developed countries, a female who committed a sin that is seen to dishonor the family can redeem such honor by becoming the ultimate sacrifice. The male family members will even do the actual killing or consent to it if perpetrated by another person, as family honor is the paramount consideration only and not suffer from shame. The problem of femicide is a global phenomenon, although world attentions is much focused on what is presently happening in Ciudad Juarez due to the activists and feminists. It forms a part of the larger problem of human rights violations, and in particular, the violations of women's rights and the curtailment of those rights by whatever means necessary. Femicide can be seen as social prejudice against females, going back to antiquity when monarchies are passed down from generation to the next generation by primogeniture, or right of a first male offspring to inherit the kingdom through the divine right to rule. This bias also manifests in a lot of modern institutions, where previously only males were qualified and accepted, such as the military organizations in prior years which barred all women from combat roles or assuming command positions. The Catholic Church is example of this gender discrimination, not allowing women priests to be ordained and serve. India and China both have a strong cultural

Psychology can help us understand ourselves and others. Discuss with Essay

Psychology can help us understand ourselves and others. Discuss with reference to two of four main topics. a] personality, b] Intelligence, c] emotions, d] cognition - Essay Example Cognition is the process or act of knowing and able to make some judgment about it. It is very broad which include a complicated mental process encompassing functions like perception, memory, learning, and problem solving. Cognition includes more than few elements or processes which all work to describe the manner by which knowledge is built up and also how judgments of people are made. The elements related to these processes are: perceiving, recognizing, reasoning, problem solving, conceptualizing, learning, memory, and language (Scienceclarified, 2008). The individual’s ability to comprehend or the cognition ability is necessary for a scientific understanding what human behavior is all about. According to the investigations of various experts, mental processes like association, recall process, and understanding about language are based on the physical relations or interactions of people with their environment, instead of the body which supports the mind; it is basically viewing the body as a support system for a mind. Cognitive structures advance from perception and action like a software (Turing, 1950) which can run on different hardware systems. Human mind can manipulate abstract symbols based on the interactions of people around via his sensory organs as well as greatly coordinated effectors. Wilson (2002) has six various claims about cognition: 1) cognition is situated; 2) cognition is time pressured; 3) cognition is off-loaded onto the environment; 4) the environment is a component of the cognitive system; 5) cognition is for action; 6) an offline cognition is body based. He further emphasized that, sensorimotor functions which evolved for action as well as perception have been preferred for the application of offline cognition. Therefore, it is logical to say that, cognition is based on the functions of human body and interdependent with the environment. Some current experiments have demonstrated that perceptual as well as motor

Tissue engineering Essay Example | Topics and Well Written Essays - 1000 words

Tissue engineering - Essay Example ed to traditional methods as it solves twin problems of donor scarcity and the risks of tissue transplant rejection including transmission of diseases (Gomes & Reis, 2004, p. 738). Tissue engineering is a relatively new field of research and there is a paucity of certain academic scientific materials and research studies. It is expected this new field will have a big impact on the provision of health care in the coming years when more complex bio-materials are needed for functional tissues like bones, cartilage or large bone segments (ibid.) and even complex organs. Stem cell research has been very useful so far but there are so many ethical and other moral issues involved which has stymied large-scale efforts in this direction. Tissue engineering has no such ethical considerations as it does not involve embryonic stem cells. This new process holds much promise from the medical and economic standpoints as it skirts moral issues while potentially offering much lower costs to the patients. As example, the world market for bone grafts shows 50% are from autologous grafts while only 10% are from synthetic bio-materials thereby indicating substantial room for growth in terms of unmet market need. This entirely different approach intends to help diseased, defective or lost tissues to regenerate themselves or develop biologically-acceptable substitutes using homogeneous or heterogeneous cells. The new technique is alternatively called as regenerative medicine or as re-constructive medicine using either autogeneic cells or foreign cells. In the course of conducting research, medical scientists accidentally found out statins are very helpful in the formation of bone tissues. This coincidental or accidental discovery is very much reminiscent of the way Viagra (sildenafil citrate) was discovered to be helpful in curing ED while in the course of conducting research for finding a cure of many heart-related ailments like pulmonary arterial hypertension, angina pectoris and

The Effect Of Technology In Current Architecture Cultural Studies Essay

The Effect Of Technology In Current Architecture Cultural Studies Essay Technology opens the door to the future. It is one of the main essence that shape and changes the way society behaves, as well as trancends the surrounding to suits the way society lives. Nowadays, the effect of new technology has reached almost every level of the society, and one of it is modern building technology. It has great implication in the creation of space in architecture and interior design. Since the early days, architecture has been one of the most important needs of man. It is a space to live and work, an environment to interact and provoke emotions, as well as a realm where experiences and memories are created. This feelings and emotions are evoked by the form and shape, the arrangement of forms and by the relationships that the space draws with the surroundings. It affects every part of human senses. As technology developed, the meaning of architecture started to adapt with it. Formerly, with conventional building technology, the shape and form of architecture that could be achieved is only a simple and pure form. It leads to a trend of homogeneous building, which makes every architecture looks similiar. Within this limitation, architects and designers became more sensitive and focus on crafting experiences in a space. These experiences then become memories that will be remembered by the visitor and elements that differentiate one building from another. As this continues, buildings visual aesthetic is slowly decreasing. Currently, with the creation and development of building technology, the inventions of cutting-edge and futuristic looking forms and shapes are possibble. New materials and structures are created and evolved everywhere. These advancements have made architects become so attached with visual appearance. Meanings that majority of them concentrate on using technology in order to discover new forms and shapes for architecture in order to reflects the idea for which it was designed. The design of the buildings that focused on visual aesthethic has led to a trend of creating a form that looks good rather than a space that feels good. With this trend continues, it seems that the role of visual sense has being privileged when compared to other human senses. The impact of this trend causes the design of the current architecture being reduced and restricted into the visual experience. With the absence of other senses, the strength of interaction that affect our bodies with a space is being diminished. This indicates that the tendency of architecture of image rather than architecture of experience is increasing. The products of architecture of image will only offer visual consumption which wont create lasting impressions that all the architects strive for. It will only become a nice looking postcard of visually striking building. Hence, the essay aims to prove that the current use of technology in architecture is only being used to achieve visual aesthetics and has decreased the value of architecture. The essay will also argue that technology to achieve powerful form has to be able to grow hand in hand with other human senses in order to create valuable experience and memory in a space . Only then, the value of architecture can be pushed to a full potential. Architecture of Experience rather than Visual Instead of experiencing our being in the world, we behold it from outside as spectators of images projected on the surface of the retina. Pallasmaa, J, 2005, p.47 Before we can move forward to the main issue, to question the effect of technology towards current architecture, it is important to look and understand briefly what is the nature and value of architecture since the early days it was created. Through out the history, despite of a large number of definition have been proposed by numerous architects, the answer to this have never came to a conclusion. Maybe it is because there are diverse ways to formulate an answer to this. One of the vast definitions of architecture maybe can be found in dictionaries, which means design of a building. It seems that this definition leads to a diminishing understanding that building is just an object. Some even make comparison of architecture with other form of arts which is sculpture. For instance, Santiago Calatrava, a world-renowned spanish architects that combined sculpture and painting with architecture. He is claimed as a building sculpturor and had an exhibition world-wide about his works. So is architecture an application of aesthetics consideration to the form of buildings? Or an Santiago Calatrava: Sculpture into Architecture, The Metropolitan Museum of Art art of making buildings beautiful? This idea of definition seems to have miss a central core of the nature and value of architecture. Previously, in the prehistoric time where architecture is not even born yet, human lives in a nomadic way. They move from one place to another. When night comes, they stop and light a fire to warm them up. By doing so, they started to define a place. And if they intend to stay there longer, they started to define a place to sleep, a place to shelter them from the rain, a place to collect and store food, a place where they can defend themselves from danger, etc. From their chosen site, experience of their surrounding, until the organization of their place, this leads to an evolution from a place to architecture. Based on that, one can said that the nature and value of architecture is the sense of a place that is created by the experience and organization of the building and surrounding itself. Thus, architecture relates to the way people live, it changes and evolves based on the environments, experiences and needs. As time goes on, places that people used has became more diversed, sophisticated and complexed which made architecture consistently changing as well. Started from the prehistoric era where human dwells in an occasional caves and temporal tents from woods to round houses that made of bricks, and into the stone age. Not only materials that has evolved, functions and tools to build each building have advanced as well. From the early civilizations in Mesopotamia, Egypt, Greece, Roman and the East, the development in architecture to create building for different purposes has greatly varied. Egypts Pyramids, Greeks Temples, and Romans Amphitheatres are just few illustrations of various functions that can be found globally. Great Pyramid of Giza, Egypt Built 2560 BC Colosseum, Rome Built 1st Century AD Parthenon Temple, Greece Built 5th Century BC The form, material, tools and function of the architecture evolves because of the resources that is available in the environment. The needs for stronger materials to create shelter and better materials to craft the atmosphere for different functions has made the tool or building technology to advance too. With this different materials and technologies, human are able to generates unique experience which would enriched the physical and psychological sensory in an architecture. In the time where modern building technology is not developed yet, there is a limitation in the creation of architectural form. Architects and engineers are only able to produce a simple and pure form which makes every buildings looks similar. Considering this constraints, the focus of architecture at this time is in the creation of experiences which is the nature and value of architecture since the early days. People lived through experiencing the world with body senses. One sense interact with other senses to be able to let him or her integrates with the surrounding and the world. Architecture is the products of this constant interaction between people with the surrounding and the world. Architecture also provide spaces where people could do their daily activities, experience the surrounding, feel comfortable with it and generate memories through these interactions. The interaction that happens can be either simple or complex. It means that the space within the architecture should be able to generate interaction with at least one or all of the body senses. This is due to, as human we have needs and desires, beliefs and aspirations, as well as aesthetic sensibility that are affected by warmth, touch, odour, sound and visual stimuli. Every interaction that happens will be experience by the body and if the experience through the space is strong enough, it will formulate an impactful memory to the visitors mind. And If this is successful, the lasting impression that every architects strive for will be achieved. That is why architecture should be design with a thought of multi-sensory experience. The Commissioners House of the Royal Naval Dockyard, Bermuda, By Edward Holl, built : 1820sNevertheless, over this time, there is one senses that architects and engineers could not satisfied with. It is the visual aesthetic, which is because of the technology at that time couldnt afford to provide the structure, system and material to create a visually striking form. With the will and the unsatisfactory as the main force that drives architects and designers to overcome this issue. This has led to numerous experiments over the time. Until the 19th century, in the industrial revolution era, when cast iron can be produce in a large numbers and cheaply enough. This is when architects and designers started to become aware of the glorious potential of cast iron used in architecture. One of the first residential project that use cast-iron as the structural framework is The Commissioners House of the Royal Naval Dockyard, Bermuda (Potter, D, 2006). This marks the dawn of Modern building technology. As technology has advanced towards a new level, which is the modern building technology, the nature and value of architecture started to shift and adapt as well. This development has begun to revolutionize architecture into an entirely new direction. With this modern building technology , architects and designers is provided with a new range of materials and tools to achieve and satisfy their hunger of a more advanced form. Previously, the architectural language of each location has their own unique characteristics. This is because of their environment would only be able to produce certain kinds of materials. Due to this, architects and designers tended to use resources that were available and plentiful in their location. Which means that the materiality and tool spoke more to place, to locale, and in a way was more purely defined with the unique representative of that certain location. For instance, the Pyramid in Egypt that is made from stone is entirely different with the Temple i n China which is made from wood. But with modern building technology , transportation of materials from one location to another location has became possible, the ability to mass products have made the cost of construction became lower, and the innovation of new and better material is continually increasing. This development has made architecture become more efficient and effective in every layer, either it is the construction, the time span to complete, the experience that could achieved inside the space or even the form of the architecture. Beginning by looking into the traditional materials that have been used since the prehistoric times, which is the wood. This material could be considered as the forefather of all current materials. Started with the wood, in the early days where prehistoric people used this to build tents as their shelter from the sun and rain. By constructing tree trunks or branches together creating the shape of an inverted V-shape, putting some support to hold it firm on the ground and covered with leaves. This creates the simplest foundation of architecture form. As human evolved so does materials for their shelter. Moving from wood to stone, as a stronger material, the form of the shelter started to develop into tent-like house by stacking different stones together. As humans move on to the times of early civilizations, the needs, desires, and beliefs have been greatly developed too. This leads to the creation of places of worships, sacrifices, monuments, and governments. Based on these, the form of the architecture started to goes vertically higher and bigger. At this time, pillar, column, beam, arch and dome has started to be build to fulfill the functions of the architecture. Then into the middle age, where castles are becoming a common forms of architecture in every part of europe. And as it moves through The Renaissance, Baroque, Neoclassicism and Gothic revival, from 15th century to 18th century, architects and designers feels that every architecture has looked similiar because of the limitation of technology and material. US Capitol Building Washington DC, Built : 1793 Neoclassicism Architecture St Mary Basillica Venice, Built : 1630 Baroque Architecture The Basilica of Saint Peter Rome, Built : 1590 Renaissance Architecture Joseph Paxtons Crystal Palace of the Great Exhibition London, Built : 1851 Until 19th century, when modern building technology is discovered. This technology allowed iron to be used in architecture because it has became relatively cheaper which previously considered as a very expensive material. Irons are architecurally unique because of being relatively lightweight and malleable as well as strong. More over, because of its properties, they are able to used for free-form designs. In this period, glass is also widely used and available. Glass is used for its optimal balance between aesthetics and functions. By using glass, the building are able to change, move and create certain environments because it allows light to transmits in and for architect light is one of the poweful tool in crafting experience in an architecture. One of the architecture that reflects a building of high technology in this period is the Joseph Paxtons Crystal Palace of the Great Exhibition. Built in 1851 in London, this building was made of modular cast iron and glass which symbolize the industrial, technological and economic superiority of the modern building technology. And in 20th century, plastics became widely known and popular as well. It is because plastics are lightweight,resilient, generally resistant to corosion and moisture, and can be molded and formed into complex shapes. And because It is the only man-made material, this allowed it to be developed even more in the future. This opens the door for architects and designers to realize all the crazy ideas that they had in mind. And with this the notion of architecture of image is slowly becoming a trends. With advancement in modern building technology materials and tools to construct a building have greatly expansed. Back then, buildings are limited with height. Mainly it is because of the limitation of materials and tools. This caused architects and designers to think and design horizantally . But with modern building technology, current buildings are able to go higher becoming a skyscraper or go deeper underground, maybe becoming an earthscraper, and not only going vertically, it also allows the buildings to be built diagonally. From geometric to organic form or from masses to pixels, with the current technology everything is possible. Architecture has entered into a realm of visual form which is nothing more or less than the creation of buildings tangible and visible shapes. Beekman Tower, Frank Gehry New York One example of a purely visual architecture is the Beekman Tower in New York by Frank Gehry. It is a curious fusion of public and private zones. What makes the tower so intoxicating is the exterior skin of the buildings which is mad of aluminum foil. The folds evoke rivulets of water, crinkled sheets of melting ice. The effect of this ripples will be heightened by light and shadow dancing across the surfaces over the course of a day. This building is surely a successful design and appealing to one of human senses which is the visual. But for the interior, everything inside the space is dully conventional. The consideration towards other senses inside the space in order to experience the space has being neglected. Another one is the Orchard Central in Singapore by DP Architects. The key design element of this shopping mall according to DP Architects is on the facade of the mall which will be an 11-storey-high faceted membrane which will function as a massive media wall and is set to be an iconic feature at the junction of Orchard and Killiney roads. The idea of this is to add aural and visual vibrancy to the central stretch of Orchard Road. By doing so, the architectural facade of a building is no longer made of solid materials but is, instead, an ever-changing, programmable image. The problem with this is the elimination of other senses and the dependency towards the vision has made the design of Orchard Central, DP Architects Singapore the space unattracted and unable to create a connection with the visitors. Based on both of the case studies above, it is fairly obvious that the privileged of visual senses over other human senses will create a sense of detachment between the architecture and the visitors. This is merely because human experience the world and the surroundings through their senses. The sounds of steps, the light that penetrate through the space, the coldness of the concrete walls, scale and proportion are just few ways of how architecture interact with the visitors. This interaction is then strengtened and articualted through the complex interaction of human senses and will be perceived by the visitors as an experience. With this two-way interaction between visitors and architecture, this will lead to the creation of meaningful memory towards the space. It is true that vision is the first connection between human and the world. Most of us, when we are walking through a space or street, are affected in one way or another by the looks of the buildings that we pass, the positions of the objects and the arrangements inside the space. But in architecture, the reliance in the sphere of vision will only made the building existed merely in a surface level which is as an objects of visual expression such as a postcard. Architecture should be able to interact with every human senses because it is a representation or expression of human minds. And the only way to communicate with the mind is by experiencing the world and surrounding through the senses. That is when architecture has moved on to another level. So, by using the modern technology, not only to grasped the visual aesthetics that has became a trends nowadys, but also to craft the experience that has been the nature and value of architecture since the early days. This will affects the human physically and psychologically and will pushed the architecture to the full potential.

The Power of a Symbol in The Yellow Wallpaper, The Glass Menagerie and

Years ago, Sister Mary Corita Kent, a celebrated artist and educator of the 1960’s and 1970’s stated, â€Å"A painting is a symbol for the universe. Inside it, each piece relates to the other. Each piece is only answerable to the rest of that little world. So, probably in the total universe, there is that kind of total harmony, but we get only little tastes of it† (Lewis "Quotes from Women Artists"). Nowadays, a painting is not the main form of art humans appreciate. In fact, literature of all sorts can be considered a different form of art and often found in literature are symbols. A "symbol" is an object, person or action which represents an abstract idea (Warren â€Å"English 102†). In literature, a symbol or set of symbols can have a wide range of meanings. For example, color is a universal symbol; some may say it is a general symbol for life. However, each color separately can symbolize something different depending on the context. Analyzing five pie ce of literature for symbolism, one will be able to gain a deeper understating of symbols. To begin, the short story by Charlotte Gilman, â€Å"The Yellow Wallpaper,† uses the deteriorating wallpaper to represent the narrator’s failing mind. The narrator is suffering and is confined in an uncomfortable house in a room she did not choose; she becomes obsessed with the wallpaper of the room. As the yellow wallpaper represents the narrator’s mind, the statement made by the narrator, â€Å"The color is repellent, almost revolting; a smoldering unclean yellow, strangely faded by the slow-turning sunlight. It is a dull yet lurid orange in some places, a sickly sulphur tint in others† refers to the condition of her mind by suggesting her condition is revolting and unclean. She is fading away in the su... ...at could these five pieces of literature possibly have in common?’ The answer to this question is very simple, these pieces of literature each possess symbolic colors that represent something different. Yellow wallpaper represents a deteriorating mind, a shabby, black box represents a gruesome, sacrificial death, green is the physical representation of power and wealth in society, a mixture of blue and yellow represents the confusion of a clear sky with dead grass and ‘Blue Roses’ and Blue Mountain represent the longing someone feels for something they can never have. Perhaps a paining is not the only symbol for the universe. Perhaps every piece of literature is related to each other in such a way that by reading each piece of literature, one can connect the different symbols an author chooses to use and recognize the complex harmony that binds the literature world.